The Frist Center for the Visual Arts opens an exhibition that explores the flourishing of indigenous Australian painting and sculpture that has occurred since the 1970s. Entitled Ancestral Modern: Australian Aboriginal Art from the Kaplan & Levi Collection, the exhibition celebrates the artistic traditions of the oldest continuous culture on earth. Organized by the American Federation of Arts and the Seattle Art Museum, the exhition will be on view in the Frist Center Upper-Level Galleries from June 23 through October 15, 2017.
For millennia, the indigenous peoples of Australia have painted on bodies, rocks and the ground as part of ceremonies. In recent decades, they have also been creating more portable, less ephemeral art on a variety of media to be shared with people outside their communities as a way of gaining recognition and respect for their laws and sacred beliefs.
“The title of this exhibition, Ancestral Modern, refers to indigenous Australians’ reverence for their ancestors and their concept of time as an overlapping past, present, and future unity,” says Frist Center Curator Trinita Kennedy. “The title also relates to the fact that the works on view were all made within the last fifty years, yet are part of an artistic practice that dates back at least fifty thousand years.”
Ancestral Modern comprises fifty artworks including paintings on bark strips, hollow logs, and canvases, plus a small selection of sculptures made of grass, stoneware, and wood. The works are infused with an intense respect for nature. Common subjects include emus, kangaroos, and other animals unique to Australia, and traditional Aboriginal dietary staples, such as bush plums and desert raisins. Much of Australia is arid, and the precious waterholes around which life revolves are another recurring theme.
In the late 1960s, decades of grassroots activism in Australia culminated in political changes that brought increased power and visibility to Aboriginal peoples.
“The early 1970s marked the start of an artistic renaissance, fueled both by the end of government policies that demanded assimilation into white society and by the growing desire of Aboriginal artists to share their culture with the wider world,” says Kennedy.
Some artists featured in the exhibition are still living, and most grew up in indigenous communities with vibrant art centers that provide studio space, materials, and galleries for exhibiting and selling their work.
Ancestral Modern introduces a distinctive visual language in which graphic symbols and colors create multilayered meanings. The paintings and sculptures contain a wealth of cultural, ecological, and ritual information. Works by Rover Thomas and Emily Kam Kngwarray reveal profound knowledge of their natural surroundings and geography.
“Increasingly Australian Aboriginal artists find themselves confronting environmental issues in their work, too” says Kennedy. “The sculptures of Yvonne Koolmatrie, for instance, demonstrate how intensive agricultural and pastoral activity have degraded Australia’s Murray River.”
Ancestral Modern is drawn entirely from the Kaplan & Levi Collection, built by husband and wife Robert Kaplan and Margaret Levi over many years of travel and research in Australia.
Friday, June 23 at 12 Noon, Pam McClusky, curator of African and Oceanic art, Seattle Art Museum, will discuss the exhibition in the Frist Center Auditorium, free; first come, first seated.